Berlinger, J., Sinofsky, B. (2004), Metallica. Some kind of monster, DVD, Paramount.
Bourdieu, P. (1979), La distinction. Critique sociale du jugement, Paris, Minuit, coll. Le sens commun.
Fast, S. (2001), In the houses of the holy. Led Zeppelin and the power of rock music, Oxford, Oxford University Press.
Heath, J., Potter, A. (2005), Révolte consommée. Le mythe de la contre-culture, Paris, Naïve, éd. orig. 2004.
Hein, F. (2006), Le monde du rock. Ethnographie du réel, Paris, Mélanie Séteun/Irma, coll. Musique et Société.
Karpik, L. (2007), L’économie des singularités, Paris, Gallimard, coll. Bibliothèque des sciences humaines.
Kotarba, J. A. (1994), « The Postmodernisation of Rock and Roll Music: The Case of Metallica », In Epstein, J. Sous la dir., Adolescents and their Music: If it’s too Loud, you’re too Old, New York, NY, Garland Publishing, p. 141-163.
Martens, P. (2005), « Metallica and the God That Failed: An Unfinished Tragedy in Three Acts », In Gilmour, M. J. Sous la dir., Call Me the Seeker: Listening to Religion in Popular Music, New York, NY, Continuum, p. 95-114.
Pillsbury, G. T. (2003), Pure Black, Looking Clear. Genre, Race, Commerce, and the Music of Metallica. University of California, Los Angeles, Thèse de doctorat en musicologie.
Walser, R. (1992), « Eruptions: heavy metal appropriations of classical virtuosity », Popular Music, vol. 11, n° 3, p. 263-308.
Walser, R. (1993), Running with the devil: power, gender & madness in heavy metal music, Hanover, NH, Wesleyan University Press.
Washburne, C. J., Derno, M. Sous la dir. (2004), Bad Music. The Music We Love to Hate, New York, NY, Routledge.